As
we have discussed on the previous pages, the Dalek props often made trips to various
exhibitions over the years. But they weren't always available and so replicas
were made to fill the exhibits. This section covers some of those props and some
of those that were made for stage plays, but never used on screen Longleat,
Blackpool & Dapol The
Longleat exhibition ran from 1974 until 2003 and Blackpool from 1974 until 1985,
opening just two days before Longleat. The Daleks made for the displays were relatively
faithful to screen Dalek props. The basic shape was
smaller but instantly recognisable. There were 'problems' though which a
close eye could pick up. The front of the skirt and fender were far more pointed,
the hemis were very haphazard and were often missing, and the neck and dome sections
were too tall. In the case of the neck and dome this was to house the movement
motors etc. In addition to the dome the arm would move and occasionally (when
working!) one of the props at Longleat would move forwards and backwards on a
short track. In the case of the Blackpool exhibition one prop completed a circuit
of one of the displays.
In
the early years the props were all silver and blue bar one Longleat prop which
was gold and black. Longleat utilised one Dalek as its initial display, chanting
at the visitors as they came in. The other mainly stood with other monsters. Blackpool,
being the larger exhibition,
had grander displays. The Daleks were often in one display together along with
Davros. In later years both Blackpool and Longleat painted the props to appear
more like the current TV props and were placed in scenes from recent serials.
Over the years the various moving parts sometimes worked and sometimes didn't,
but they were always the main attraction! Its
understood that five props were built, but who built them is a mystery at this
time as there is so little documentary evidence around. However it appears that
the Longleat
props may have come from the 1971 Science Museum exhibition, where the BBC
Effects were displaying many props. The picture on the right shows Jon
Pertwee promoting this exhibition. Longleat had two props whilst Blackpool
had three. The original Blackpool exhibition closed in 1985 and
it's unknown what happened to the props, but is more than likely they were just
disposed of. However in 1986 the "oddball" Dalek (see 'Destiny')
was sold at an auction now sporting an exhibition eyestalk, also in 1988 the Supreme
Dalek from 'Remembrance' also had
a similar eyestalk. Could these have been from the Blackpool props? It
appears that at least two of these props have survived and are now housed at the
new Blackpool exhibition in a large Dalek display. Again they have been repainted
and like their TV counterparts still going many years after their first appearances! The
Dapol (toy manufacturers) exhibition was based at Llangollen in Wales and featured
over the years a mix of fan built props and original props in their usual mix
and match state. 'Seven
Keys to Doomsday' - Stage play This
was the Daleks second stage appearance. The play began on 16th December 1974 and
ran for four weeks and starred Trevor Martin as the fourth Doctor (Tom Baker made
his TV debut on the 28th December '74). Five Daleks were made for the production
and were constructed by Allister Bowtell and his team (who were
already creating the other monsters for the show). They were well constructed
props although looked like a strange film/TV hybrid.
As
we discussed on the 'Planet of the Daleks'
page the Supreme Dalek from that serial appeared in publicity photographs for
the play, along with another film prop, but neither actually appeared in it. It
appears as if the design of the stage props was based on that Supreme Dalek as
there are a number of similarities. The main similarity, and probably the main
giveaway that the Supreme was the inspiration, were the neck rings. These were
the flat edged style with no neck rods unique (till then) to the Supreme. The
main body of the Dalek was faithful to the TV style at the time but with a film
style enlarged fender. The
play closed after 4 weeks, and nobody knows what became of these five Daleks. 'The
Ultimate Adventure' - Stage play The
Dalek props for this stage play were created by the Suffolk Scenery company who
were also responsible for the building of the sets. They may have used the
inaccurate 10th anniversary Radio Times 'Build your own Dalek' plans to create
the props. There were five new Daleks built for 'The Ultimate Adventure'
comprising of four blue/grey drones and one black Dalek. The inaccurate design
lead to a very odd shape when viewed from front and side. The props had only one
single vertical column of hemis on the side panels of the skirt and a larger fender
than normal Daleks (although not as large as film props). The props also had large,
rectangular lights, initially no eye rings along the stalk (although added
later) and they lacked the shoulder
slats present on all Dalek props from 'The Chase' onwards. The neck ring configuration
was such that the bottom one had a diameter much wider than the shoulders, the
next ring was slightly smaller, then the top ring was the same diameter as the
head. The dome was a perfect hemisphere shape, whereas the TV Daleks have a tapered
cylindrical section to start off with, with just a hemispherical cap. Finally,
instead of two separate cube-shaped boxes to hold each of the gun and arms, these
props had one complete unbroken large oblong box that ran across the front of
the body. The hemis (like the NSC props) were not only stuck on from the outside
but were of a soft plastic which was easily crushed. The Dalek Emperor
prop was a faithful reproduction of the prop that appeared in 'The
Evil of the Daleks' merely with the addition of large wing-like structures
where the original was embedded in a network of cables. The stage version was
understandably smaller but was able to move around unlike the original Emperor.
The Dalek operators were Oliver Gray, Troy Webb, Deborah Hecht and David
Bingham, who was replaced by Gavin Warwick. The Black Dalek was played by Paula
Tappenden. Rob Brown owns one of the stage props which he bought directly from Suffolk Scenery. More photos can be seen by visiting his page on the richardwho.com website - Click
here.
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