The
plot of 'Death to the Daleks' required only a small force of Daleks, and so the
same
three 'sixties' Daleks and one NSC prop from 'Planet
of the Daleks' were used. The director felt that the Daleks had lost their
impact from the original stories and so he had them painted up to resemble the
early Daleks. This was mainly silver with black trimmings. This new livery is
convenient in the respect that small details, such as the bolts pointed out on
the 'Power of the Daleks' page, can be seen
rather more clearly than a dark finish. The
props by this point were looking very poor. One prop had a sagging collar and
the slats touched the lower collar. The gun and arm boxes of one set of the original
shoulders were very damaged.
These shoulders were part of one of the Daleks that was stolen, and although slight
damage can be seen in 'Planet' it's possible that the rough treatment it had had
while not in BBC hands caused even more damage.
Curiously there are photos
which show neck rings lifted off the shoulders, whilst some that show them touching.
This implies that even during studio filming (from where the photos come) changes
were made regularly. The rings were also badly aligned and damaged, and there
even appear to be shots where they may even be placed in the wrong order! The
Dalek with orange lights (previously the gold 'Day
of the Daleks' prop) was given the newer NSC dome. A high up shot of this
dome reveals a small hole in the centre of the top of the dome.
A possible explanation could be that this particular dome was at some point attached
to the NSC prop that was pulled up the shaft via a cable in the head in a scene
in 'Planet'.
After 'Planet' the BBC obviously had a pool of
props from which to draw on and swapping of available components continued without
much regard to their origin.
The first Dalek scene sees the three sixties
Daleks emerge from their ship, and out of shot a stagehand pushes the 'NSC' out.
This Dalek is seen several times and is always completely static, which makes
it look very out of place. On
location the Daleks were mounted on the same tracks that cameras generally move
on to keep their movement smooth. In the past, boards had been put down to achieve
this. Tight camera angles were the used to hide the tracks but
they were still sometimes visible on screen. This was moderately successful
although several accidents occurred during filming. The movement was smooth but
one Dalek fell off the tracks and one ran away down a slight incline!
The
plot also required a change of weapon for the Daleks, and a projectile gun was
added instead of the 'laser'.
Along
with the four main Daleks, at least one FX prop was provided. This was needed
for when a Dalek is blown up while Exxilons are attacking and when another falls
off a cliff. Its construction is noticeably rougher even than the NSC props. The
dome was made of some type of soft material which crumples easily, the eye was
non spherical, and the skirt was very rough even compared to an NSC skirt. Its
possible that 2 sfx
skirts were provided as the hemis appear to be placed differently in the two different
scenes. Additionally a close up shows that there is possibility that the shoulders
were from an NSC prop as there is quite a similarity between them. It would explain
why two NSC Daleks disappear between 'Death' and the following story. Soon
after filming a 'Death' prop made an appearance on the BBC1 daytime show 'Pebble
Mill' along with several other monsters. Bernard Wilkie (owner of the 'Wilkie'
prop - see 'Evil of the Daleks') was being
interviewed about how the BBC visual effects department create some of the monsters
and effects for Doctor Who. The Dalek was seen in close up several times which
gave some very good views of its details. The main components being the film style
skirt and thin collared original shoulders, with what appears to be a film neck
(pictures left and right).
'Death'
was the third and final Dalek adventure of the Pertwee era. All three had been
pretty unremarkable in story terms, but coming next was a defining Dalek story,
possibly even the greatest Doctor Who story of them all! Surely these tired old
props would be rested now? Surely some brand spanking new ones would be made for
the occasion? Next
Chapter: 'Genesis' >>> |