Events from May 73 to Oct 74

Ten Years of Extermination

Radio Times Honours Doctor Who in 1973

The Daleks had been inextricably linked to the Doctor since his second adventure, which began broadcast on 21st December 1963. Their unusual appearance and distinctive speech made them stick in the public’s consciousness, and whist their mass appeal peaked twelve months after their début, the public’s fondness for them never went away. The Daleks had appeared at least once a year for Doctor Who‘s first four seasons before being rested for the following four seasons. But even during the time they weren’t being given adventures of their own, they had a past story repeated, they were featured in cameos, and they even had a full-blown appearance on another channel.

Once brought back in 1972, they in featured in eleven episodes in less than a year and a half, seven of which came during a twelve-episode arc story to celebrate the longevity of the show which spawned them. After the anniversary serial Planet of the Daleks reached its conclusion, the props were about to go on a real-life adventure, against their wishes

The Vanishing Daleks Mystery – May 73

The Daleks maintained their high profile during 1973 by guesting on television when the opportunity arose. For example, on 5th May 1973 (which was the night of transmission of the fifth episode of Planet of the Daleks) the evening started off with second series of Jimmy Saville’s entertainment/chat show Clunk-Click on which a Dalek prop was a guest star.

Dalek Seven with the '20 Questions' team.

Dalek Seven with the ’20 Questions’ team. Click for a larger view.

A Dalek also appeared on the radio when it was the ‘mystery voice’ on the BBC show 20 Questions. The recording took place on 9th May and was broadcast on the 30th. The show was the 750th episode and starred quizmaster Michael Flanders with Anona Winn, Joy Adamson, Norman Hackforth and Peter Glaze. Dalek Seven was in the studio to generate extra publicity for the media.

The Daleks made regular public appearances around the country too, and it was whilst performing these PR duties that the props became a victim of their own notoriety as they were embroiled in real-life villainy.

Dalek One-5 asks for assistance on Blue Peter. Click image to see a video

The final episode of Planet of the Daleks was broadcast on 12th May, after which the props had some refurbishment – including the fitting of new orange lights – before going out to Cardiff to do publicity. After returning from the Welsh event on 22nd May, the van driver unloaded Dalek Seven, whose component halves had been reunified, and Dalek Six-2. The driver became occupied elsewhere, and while the two props stood unguarded on the ring road outside Television Centre, person or persons unknown stole them from under the BBC’s nose.

Panic ensued as the practical and financial repercussions of the theft were contemplated by the production team. Although seven new ‘Goons’ had been built for Planet of the Daleks, they were not designed to replaced the hero props, and the tenth anniversary would require lots of exposure. Not to mention the trouble caused for future television work.

A rare shot inside a Dalek prop

A plan of action was devised, and long-time friend of Doctor Who, Blue Peter, duly transmitted a special appeal for the return of the Daleks on 7th June. Taking a risk in explaining the worth of the casings, the magazine programme cited them as very valuable at some £500 each. The lone remaining Dalek One-5 was in studio to ask for the viewers’ help, complete with damaged neck.

The surreal drama was short-lived, as both the missing props were recovered the very next day. Dalek Seven was found by a member of the public in East Dulwich, just hours after the appeal was broadcast. The alien casing was in a man’s front garden sharing the tarpaulin used for covering his car. Dalek Six-2 had been spirited across the City to turn up in Ealing, and was found by some nurses outside a set of garages.

Dalek Six-2 (left) and Dalek Seven found!

The ordeal may have been over but the props had not been well-treated by their kidnappers. Dalek Seven was in relatively good condition under the circumstances, but Dalek Six-2 had been very badly scratched and dented, and the fender had been broken.

Despite their ordeal, The two props made an appearance on Blue Peter the following week to inform viewers they would not be exterminated, as they had helped to find the missing Daleks.

Heigham Park Fete – 23rd June 73

Goon v takes a battering at Heigham fete

On the 23rd June 1973 Jon Pertwee and the Daleks attended the Trinity United Reform Church Fete in Heigham, Norwich. The fete was conceived on a grand scale as also appearing were “certain” members of Norwich City FC whom were an established Division One team.

Dalek One-5 at Hampton Carnival in the Summer of 1973 soon after refurbishment. Photo - Linda Lemon

Dalek One-5 at Hampton Carnival in the Summer of 1973 soon after refurbishment. Photo – Linda Lemon

Some 3000 people attended the fete which was opened by Jon Pertwee who was mobbed as he entered the site. He continued to sign autographs for some ninety minutes afterwards. Stall 26 would also have been of interest to Doctor Who fans as Goon v was on hand for photo opportunities, Like Jon Pertwee, the prop was itself mobbed by children, all anxious to get a close look, and eventually it was whisked away to the tea tent to take cover. Over £750 was raised by the event. (Thanks to Christopher Hill for the detailed information)

Dancing with Daleks – September 73

Dance of the Daleks on ‘Vision On’. Click image to see a video

Shortly afterwards the Daleks were involved in filming for another children’s TV show. Vision On had been running since 1964 and was aimed primarily at children who were hard of hearing. The show featured the very popular artist Tony Hart, and also Sylvester McCoy.

The Daleks appeared in a filmed segment which utilised the main three Shawcraft props and three of the Goon props – the usually-menacing aliens were depicted performing a dance routine set to music.

The Goons wait to dance

The three Shawcraft props had undergone some refurbishment since appearing on Blue Peter. Much attention was paid to Dalek Six-2 which had suffered badly. The dome and eye mechanism received an overhaul after being smashed in its recent ordeal, this led to several small holes appearing around the rim of the dome and the eyestalk also had extra discs added. The fender had also been badly damaged and during repair was fitted with a rubber drape hanging from the underside (Dalek 7 and Dalek One-5 also received this modification). The neck rings were tidied by sanding down the affected areas giving a film like appearance from certain angles.
Dalek One-5 also had its neck repaired (although a large split had appeared on the middle ring at the rear) and Dalek 7 had its lights returned to a clear type although it had lost eyediscs.

The props were mixed for the dance leading to a combination of Dalek One-7, Dalek Six-5 and Dalek Seven-2 which now had the refurbished dome with the orange lights. The three Goons (which were now mixing as per the Shawcraft props) included the complete Goon iii (fitted with orange lights) and the upper section of Goon v.

Dalek Six-5 at the World of Leisure show

The segment wasn’t transmitted until the following year in an episode concerning triangles.

The publicity appearances continued for the props. Yet again they were out on the road at fetes and shows, such as the World of Leisure show. This took place at Hemel Hempstead in September 1973 and Dalek Six-5 appeared on the Prestonian Electronic Services stand.

The Red Top Dalek

Gerry Haylock's artwork

Gerry Haylock’s artwork

There is one prop that deserves a special mention because occupies a unique niche in Dalek Lore. It is relatively well-recognised and yet as a ‘character’ it exists only in a limbo-state outside the canonical world of the Doctor Who television series. The prop in question, Dalek AARUII 9-11, has generally become known as the ‘Red Top Dalek‘.

After the second Peter Cushing film, Terry Nation purchased four of the Daleks which had been used. They were refurbished and repainted before being handed over, ending up as one red/black and three silver/blue props. They can be seen in this form in their television appearance on Whicker’s World in 1968. For an exhaustive explanation of the Dalek creator’s acquisitions you can find out which movie props they were and what happened to them on the Terry Nation Props Page, which also documents the birth of the Dalek Supreme from Planet of the Daleks.

The Red Top Dalek in 1973

In due course, the components began to mix and the Daleks went on the road in a jumbled fashion with no regard to their colour scheme. In 1970 or 71, the repainting of some of the mismatched red set of components left an orphaned collection of variously coloured sections. The left-over’s included a red dome, silver shoulders and silver skirt which were all subsequently married up.

But were the colours of the ‘Supreme’ and ‘Red Top’ Daleks actually influenced from by TV Action and Countdown Comic? In 1971, Gerry Haylock was producing the artwork for the Doctor Who comic strip ‘Sub Zero’ which was published in January 1972. He used these exact colours that hadn’t been seen on TV or film at that time. It would appear that Nation had seen the artwork, possibly for approval of the story, and decided to ‘borrow’ them for his most recent TV adventure. As it transpired, only the black and gold Supreme Dalek appeared but its possible that the reference to an ‘aide’ in the scripts of Planet of the Daleks meant that the ‘Red Top’ was also in his plans to appear onscreen.

The Red Top Dalek Weetabix Card

When Terry Nation was photographed at home in the autumn of 1973, part of his collection of Daleks was in attendance. The photographs were destined to appear in the November issue of the Radio Times as part of the commemorative issue for Doctor Who‘s tenth year. The photo-shoot also featured two of the new Westbury ‘Goon’ Daleks built by Cliff Culley’s team for Planet of the Daleks which had been broadcast earlier in the year. The Goons in question were not Nation’s own props, but merely drafted in for the occasion, to maintain continuity with the current look of the television props, a fact born out by their continued appearances in the television serials.

The Red Top Dalek by Denys Fisher Photo – Mego Museum Click image or here to see a video

In 1975, the legacy of the Radio Times photos continued in the form of collectors’ cards released with the Weetabix breakfast cereal. The irony was that at this point, the components of Nation’s props in real life had continued to be mixed and matched meaning the Red Top Dalek no longer existed. Just as the the red dome had been thoughtlessly swapped onto the silver shoulders and skirt, other combinations had been and gone, mixing the black, red and gold components. By the summer of 1975 even the famous Supreme which had been on television had had its skirt repainted black/red.

Two years after, Denys Fisher produced a six-inch tall Dalek toy and once again the ‘red top’ colour scheme was seen. This 1977 toy is now extremely collectable and remains another interesting appearance of the unofficial livery.

Due to the dissemination of photos, and then its immortalisation in comics and in giveaway cards, the mythos around the Red Top Dalek became more significant than other random Dalek colour schemes outside the Doctor Who canon.

How To Build a Dalek – Badly

Radio Times Plans for Building a Dalek

One of the most enduring consequences of the tenth anniversary of Doctor Who and the Daleks was the decision to draw up a set of plans for the Dalek props themselves which appeared in the November 1973 issue of the Radio Times.

Frank Bellamy's artwork. Image supplied by - Shaqui Le Vesconte

Frank Bellamy’s artwork. Image supplied by – Shaqui Le Vesconte

Whilst it must surely have happened before-hand, the idea of building a home-made Dalek prop was implanted into the mind of many fans at this point. Before long, magazines and school fetes saw the fruits of the fans’ labours who followed the BBC’s official guidance on the best ways to go about making the components of the Daleks.

Unfortunately, the plans were not accurate and the construction methods were often hard to follow. In the years that followed fan-made plans emerged, and after the creation of the internet, whole forums became devoted to sharing a passion which, if not begun in 1973, was at least fuelled by it.

It had been an eventful year for the Daleks which included a brand new set of props, and also real life ‘run in’ with some genuine rogues. Despite all the drama, there was no let-up in activity, and it would only be a matter of weeks before the props would be called on again.

Next Page: Death to the Daleks